Similar names are not always alphabetical, so if you’re looking for the “original” name of “Lapidary 333,” it won’t be under J-L, but instead under N-Z for Perpetua, its industry name. Badly digitized and unhinted, these only serve to make you look bad. Extremely low-cost fonts, such as those in the “2,000 fonts for $20” packages, are poor copies. This is unfortunately not always the case. Bitstream’s Zapf Humanist (Optima), Zapf Calligraphic (Palatino) and Zapf Elliptical (Melior) don’t use the “original” names, but are the most authentic versions of Hermann Zapf’s designs, supervised by the designer himself. They were re-created with great care by talented type designers and are sometimes truer to the originals than the so-called original digital designs. Some of these, such as those from Bitstream, are as good (and sometimes better) than the original. Today there are many copies of the most popular classic faces.
ITC GARAMOND BOLD CONDENSED LICENSE
Because companies would rarely license type designs to each other, they took to copying each other’s designs and giving them different names. Letters of the alphabet, no matter what their shape, are considered “useful objects” like a cup or spoon, and cannot be legally protected.īefore TrueType and Type One fonts were the standard, there were countless different font formats, and typesetting machines would often only use fonts from a single company. That’s because while typeface names can be legally protected, typeface designs cannot. There are often many typefaces that look nearly identical but have different names. It just means it’s a less common face and no one is paying me to catalog every new typeface in existence, though that wouldn’t be such a bad job if I could manage to get a grant for it 🙂 Similar FacesĪs well as listing fonts that work together, this list contains the “industry standard” name first, followed by the names of virtually identical (or very similar) fonts from other vendors. Just because I don’t list it doesn’t mean it’s not going to work, but what I do list you can feel confident will.įinally, just because a face is not on this list does not mean it doesn’t work with anything else. I believe that Gill Sans works well with Goudy Old Style, but someone else may prefer Gill Sans with Garamond, or Goudy Old Style with Univers. That’s fine, type is subjective and not everyone will agree on what makes a good combo.
I don’t promise that it covers every possible good combination, just the most basic combinations that I know work well together. Someone could work full-time keeping a list like this current and comprehensive. A-C | D-I | J-M | N-Zīut since you can’t tell whether a font is a serif or a sans by the name alone, and since sometimes fonts work well together even from different groups, I’ve compiled a list to help you. When you use EsperFonto, simply choose serifs and sans in the same category. The next step is not quite as simple: Which sans work well with which serifs? Part of the trick is to use faces that have similar feelings.
There’s simply no reason to use two serifs or two sans together, and it inevitably looks sloppy. Don’t use Garamond with Goudy (they’re both serif faces), or Futura with Univers (they’re both sans). This means that if your body text is Goudy Old Style, a serif face, you should use a sans serif as a companion. The answer is usually simple: Serif faces work best with sans serif faces, sans serif faces work best with serif faces. One of the most often asked questions about type is: Which faces work well together? Typefaces: that work together Posted: J| Author: chiselbrushandpen | Filed under: Uncategorized | Leave a comment When working with commercial printing companies and design firms, official typefaces should be requested.
ITC GARAMOND BOLD CONDENSED SOFTWARE
When producing print materials using software programs such as MS Word, Garamond or Times Roman can be substituted for ITC Garamond in running text, and Arial or Helvetica are acceptable substitutes for ITC Stone Sans in display heads. Neither ITC Garamond Condensed nor ITC Stone Sans is bundled with standard Microsoft Office systems. Large-print versions of publications must be made available upon request. Font sizes smaller than 14 points can be difficult to read for people with visual impairments. The official secondary typeface is ITC Stone Sans.Ī minimum font size of 10 points is recommended for print publications.
It can be used in its bold or book weight for display headlines, and in its light-weight for running text. ITC Garamond Condensed is the official college typeface. Home : logos, colors, and typefaces : typefaces and fonts : official print typefaces Buffalo State Uses Garamond Posted: J| Author: chiselbrushandpen | Filed under: Uncategorized | Leave a comment
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